Inspired by the movie “Frozen”, in this tutorial I demonstrate how I combined Artbeats footage with only the default Adobe After Effects tools, to create a realistic frosty window effect.
This After Effects Experiment is all about fire. There are plenty of ways to create realistic fire in After Effects. For my experiment I used the Ellipse effect to create the rings along with Turbulent Noise, Curves and Displacement Map to create the fire. Take a look at my project then give it a go yourself by either making mine look better or starting from scratch to create your own recipe.
Here’s my project file. Take at least 30 minutes and see what you can come up with, then post a JPG or movie link in the comments.
After Effects Product Manager Steve Forde has put forward this tantalising question to all After Effects users:
“What if we did NOTHING else in After Effects during 2014 other than make it faster? I mean MUCH faster. I mean much faster without a specific hardware requirement (new CPU, GPU, disk, machine, etc., etc.)? ”
The overall response so far, including my own, is an overwhelming “Hell Yes”. What about you? Could you manage with no new features for a while if After Effects was made much faster? Be sure to have your say.
The onset of Creative Cloud has brought with it more open discussion by the After Effects team with users about potential new features, and this has never been more evident than in the recently posted list of top After Effects feature requests. Rather than wondering what might be in the next release of After Effects, we now have the opportunity to directly influence those things that are on Adobe’s radar for inclusion in After Effects Future.
I’ve been requesting a Colour Swatch panel forever so it’s great to see that on the list. I’ve already given detailed information on how I see that working in After Effects, and I recommend using the links provided in the post to give specific feedback about how you see that and other potential features working best for you. The more vocal you are, the more likely we’ll see these features included in our favourite motion graphics and vfx software.
For this last experiment for 2013, I used the Circle effect and CC Griddler with Curves for contrast and CC Composite, Levels and Gradient Ramp for colour. CC Griddler is great for creating all kinds backgrounds, especially when duplicated. In this example I used three copies for an increasingly smaller, dot-like appearance. Read more…
Here’s my project file for After Effects Experiment Assignment 5, using Beam, Find Edges and Curves. Check out what other artists have made over on the Experiments page and give it a try yourself! Download Project
Watercolour on paper is a popular motion graphics style and I’ve turned to stock footage on more than one occasion for that look. It is possible though to create this look in After Effects, and for my latest experiment while playing with the Foam and Turbulent Displace effects I started zeroing in on a watercolour look, that while still rough is pretty convincing.
So for Experiment 11 we’re going to concentrate on watercolour looks and this time I’m going to offer my project file as a starting point if you need it. See if you can improve on mine or start from scratch using your own selection of effects. The object here is to make convincing watercolour looks using only standard After Effects tools. Post a JPG or a link to a movie in the comments. We may even collect the best and make them available as a download. Download Project